When Do Christian Books Cause Too Much Damage?

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The last thing in the world that I want to do is write about that dating book—the one where the author now admits he had no actual experience in putting the book’s ideas into practice. He’s pretty sure that it’s wrong (calling it “speculative”), has been hearing people out, and even has started to formally collect feedback.

With no personal malice toward that author, I would very much like the rest of my life to pass without hearing about him or his dating book again. His book caused so much shame, judgment, and confusion in my own relationships that I’d like to assign it to the dust bin of history and move on. I’m just one of many Christians who grew up with this book and have spent significant time trying to work through the fall out. Even if you weren’t negatively impacted by the book, take a look at a small sample of the damage it has done:

What I Learned from Joshua Harris

Christian Boy Meets Christian Girl

I Kissed Shame Goodbye

Recovering from I Kissed Dating Goodbye

Storify of I Kissed Shame Goodbye Tweets

There are clearly better things to do than discuss books written by self-admittedly unqualified authors that have wounded us, the people we love and care for, or our evangelical brothers and sisters.

Here is my problem: That dating book is still for sale, and the simple fact that this book is for sale hints to me that everything we have feared about the Christian publishing industry may be true. Putting the most positive spin on this I can manage, the publisher of this book is at the very least unwittingly acting in a way that proves our worst fears

If I put my worst fears into stark language, they would be something like this: If you’re not a gay, drunk, adulterer, or heretic, you can write just about whatever you damn well please as a Christian author, provided that it makes money.

A lack of craft can be compensated with a ghost writer and a lack of substance can be excused provided the book makes money. If the book makes money but hurts people, the people who complain are just whiners, divisive Christians, or just collateral damage because the book didn’t harm everyone who read it.

Publishers have some limits, just not consistent limits.

Perry Noble? His latest book release was suspended because he was “too drunk.” Sorry, Perry. We can’t have alcohol abuse sullying the reputation of CHRISTIAN authors and publishers.

However, a pastor in Seattle could spiritually abuse people in his congregation, and he wrote a book on marriage—REAL marriage to boot.

And a very young conference speaker can totally handle writing a book about dating before he actually put any of it into practice. Never mind that the book has caused heartbreak and shame for many of our fellow Christians. It didn’t devastate everyone, so why not keep making money from it?

Where do we draw the line for a destructive book in Christian publishing?

We have piles and piles of stories from people who have experienced shame, intimacy problems, and unhealthy relationships because of this uninformed dating book. Sure, it may have helped some readers become a little more restrained, or at least confirmed their decision because a good looking author agreed with them. But shouldn’t the piles of stories AND the author’s admissions about the book’s speculative content prompt the publisher to pull this book from sale?

People can still buy this uninformed dating book after the author has gone on a national tour saying that he was wrong and has repeatedly apologized for it on Twitter. How is this possible?

I’ve been biding my time, waiting through one interview after another as the author goes on his anti-publicity tour where he admits he managed to publish a Christian book on dating that was deeply flawed and hoping that the publisher will pull the book. And so he says he’s sorry, people applaud his bravery, and then the next day people are still buying his bullshit dating book so that he can apologize to them in 10-15 years for their crippling shame and intimacy issues.

For all of the evangelical talk about preserving marriages, shouldn’t we be concerned that the “go to” dating book of a whole generation has been exposed by its own author as speculative? Doesn’t relying on a speculative dating book for advice sound like a “not strong” and “not healthy” way to start a marriage? Would we use a speculative book for advice on raising children? Shouldn’t we take all of the stories of hurt and heartbreak seriously and demand that the publisher pull I Kissed Dating Goodbye from all stores?

Well, the skeptics say, there were PLENTY of people who didn’t suffer shame and heartbreak, so what’ the big deal?

These are the people that the Christian publisher is no doubt listening to—the people who weren’t harmed by the book that is making them money. The bar has been set embarrassingly low.

Perhaps the people in charge at this publisher don’t see things this way. Perhaps they believe they are somehow doing great good in the world by keeping this book readily available. If they are living in this fantasy, I can only hope that spelling this out may help the light of reality start to shine in.

Looking at the publisher from the outside, there is no logical reason why this book should still be on sale. Period. A publisher somehow found the courage to suspend a book by a drunk pastor, but somehow a publisher is OK with a book by the author who is a well-meaning speaker who just did his honest best to help teens not have sex and made up a bunch of stuff along the way. If this is really a reflection of Christian publishing today, then we have a real credibility problem.

I write all of this as a Christian author who cares about the Christian publishing industry. I believe in many of the authors and editors I’ve worked with. We dare not lump everyone into the same boat here. There are many, many editors who would roll their eyes at the mere mention of this dating book. They know what we all know, but the opinions of individuals are quite different from the actions of organizations.

I know many, many Christian authors who invest years and years into their research and craft. They don’t speculate on anything. They seek out expert help, they go to workshops to get critical feedback, they read voraciously, and then they write really, really wonderful books that help make the body of Christ stronger. Readers may disagree with them on some points, but there aren’t entire movements of people sharing stories of shame, fear, anxiety, and heartbreak in response to their books.

I have also worked with Christian publishers who have extremely high standards. One editor at a favorite publisher of mine wrote in response to my 2006 book proposal that he frankly didn’t think I was qualified enough to write the book I had proposed. He was 100% right, and I had to work harder at my research and put my book ideas into practice in order to further refine them. When a publisher finally accepted my first book proposal, I had spent countless hours working with theology professors, pastors, small groups, and trusted friends. I had piles of research notes, and only a small percentage of them actually made it into my book. When I submitted my first draft, my editor pushed me to make it better, to do even more research, and to turn it into the best book I could produce. The book wasn’t a bestseller, but many college professors started to use my book for their classes, and I largely credit the people in the publishing industry for pushing me to make it a better book.

All of my first hand experiences in Christian publishing combined with my negative experiences with this dating book make this whole story extremely galling for me. I know that Christian publishing regularly does better than this. I know that there are excellent authors out there working with world class editors to give us books that don’t receive half of the attention of this dating book.

As much as I want to go my separate way from the author of this dating book and personally never hear from him again, I am grateful for the steps he has taken. I hope that he can move from remorse to actual repentance for his actions by also publicly calling for the removal of this book. I hope and pray that he can find his way again as a pastor, author, husband, and father. I just hope to God he doesn’t write another dating book.

At the very least, the publisher of this dating book owes us an explanation for why the book is still for sale. If the many stories about the damage of the book or the author’s admitted flaws about its content aren’t enough to prompt the suspending of this book, then we need to know what in the world the people at this publisher are thinking. Until they take action or offer an explanation, it sure looks like this dating book is only in print because it’s still making money, not because it makes the body of Christ stronger.

The Hidden Danger of Business for Creative Workers

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“I just want to create things. I’ll let someone else handle the business and marketing side of things.” I hear this all of the time. I thought the same thing for a very, very long time.

That mindset may have been the most damaging mistake for my creative work. It laid a foundation for a myriad of other mistakes, resulting in hours and hours of work for books that suffered from my ignorance. Had I actually understood the business of publishing, how the industry has evolved, and where I fit into it (the hardest piece to sort out), I could have invested significantly more time in projects that would have been both creatively fulfilling and financially sustainable.

I’m not alone with my mistakes when it comes to the business side of creative work. I’ve seen friends literally lose control of their books because an inexperienced agent made a bad publishing deal with a new publisher who went out of business right after the book released. I’ve seen colleagues get more of less dropped by their publishers before or during their book releases, with publicists offer very vague, limited support.

Other professional writers and bloggers have suffered from SEO changes that hurt their websites or social media shifts, such as changes to Facebook’s author pages, that sent their click-throughs and ad revenue diving.

There are so many things that I wish I had done differently 5-6 years ago that could have helped myself immensely today. That isn’t to say that I wish I had given myself over completely to the business side of the publishing and writing industries. Rather, I wish I at least knew what I was missing and had been more intentional about the direction of my creative career.

Creative workers can mistakenly think that ignorance of business is a virtue that makes their work pure. 

Ignorance of the business end of creative work is by no means a virtue. It may actually hold your work back, deprive you of opportunities, and even prevent you from being generous with your work. For instance, some publishers make it very difficult to share a high quality eBook with potential readers and reviewers. You would think publishers understand the value of putting books in the hands of reviewers who can help improve your ranking on Amazon by putting your book over the 50-review threshold. However, there are many, many cases of employees at publishers shipping PDF’s of the book’s print file to reviewers, which appear as a mangled garble of words and punctuation in most eReaders.

The more you know about business and marketing going into creative work, the better off you’ll be in choosing the direction that is most sustainable and consistent with your values. I have taken one self-directed crash course after another in the publishing business and marketing. I’ve made enough mistakes over the years that I’ve been very motivated to sign up for industry publications and blogs such as Digital Book World, Jane Friedman’s blog, Writers Digest, Joanna Penn’s podcast, and many more. I’ve read books about the craft of writing, the business of writing, and how independent authors make it work. I’ve read about the marketing strategies and tactics that are available.

None of this has taken away from my creative vision. I’m not changing my plans dramatically. Rather, I’m learning where my creative work can overlap with the strategies that work best today.

Here’s the ironic part of this shift: the more I understand the publishing business and where I fit into it, the more I’ve been able to invest in the kind of work that I love. Back when I was completely ignorant of the publishing industry, I wasted so much time on social media, chasing influential people, and more or less wringing my hands about the things that didn’t work out.

With a better picture in my mind of what works and what doesn’t work, I’ve invested in tools that make my work time more efficient so I can focus on my creative projects and the freelancing that will help pay the bills.

Understanding the business side of my creative work means I can choose what to ignore and compensate for the gaps that creates. For my independent books I spend very little time courting endorsements or reviews on top blogs. Rather, I focus on sharing guest posts and give out the books liberally to all who will read and review them. It runs against some of the industry advice, but it feels like a good path for my work. It’s a choice that I’ve made with full awareness of my options.

These are the decisions that no one else could make for me. I couldn’t just “trust” the experts to tell me what to do. The experts can tell you what has worked for them and for other people, but they can’t tell you how to chart your creative career.

Most importantly, if you don’t set your own course with the backing of research and self-knowledge, you could end up running from half-baked ideas to half-hearted projects over and over again. It’s far better to spend time focusing on what you need to do and then jumping in with both feet and playing the long game. It’s a risk and you’ll certainly need to make adjustments along the way. However, it’s far better to give yourself to a particular plan in order to know with a fair amount of certainty that it doesn’t work than to dabble in three different directions without a clue about what would actually work if you give yourself fully to one of them. 

There’s a danger for creative workers when it comes to the business side of their work, but the danger in most cases is ignorance of business, rather than selling out. I only have my own network to go on, but I think the number of sell outs to business are far fewer than those who flounder because of ignorance of the business side of their work.

Authenticity and integrity do not demand ignorance of business.

If you value integrity and your creative vision, there’s no harm in learning about the business side of your creative work. Dig in and sort out which advice rings true and which doesn’t. Take a look at how you fit into your industry and how your creative work can either reach more people with this knowledge.

If any particular practice in your creative industry strikes you as troubling or unsustainable, no one will blame you for avoiding it. It’s better to see the opportunities and obstacles with clarity than to avoid them both in ignorance.

 

 

5 Thoughts on Reading Books and Online Articles

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Most writers I know spend a lot of time reading books, articles, and blog posts. Part of my process of reading books and online writing involves using a couple of different e-Reading devices, namely a Nook Simple Touch and an iPad Mini.

Becoming a user of both has helped me understand the mentality of book readers today, as well as the advantages and disadvantages of reading on these devices. It’s not that I only understand the experience of this kind of reading—I also have a better grasp of what consumers are thinking when they purchase eBooks or read websites on mobile devices.

As a writer, I value being a part of the culture that’s actively reading books and articles. Here are a few thoughts on how I keep track of current trends in my field while also picking up books for devotional and pleasure reading:

(A quick note, I have linked to the Kindle editions of a few books with my affiliate account since Amazon had them listed with pretty decent sales when I first wrote this post.)

 

1. Print Books Are Still Important

Can we just stop the whole, “They’ll never replace print books. There’s something about holding a book in my hands, smelling it, and feeling the pages turn…”

I get it. I get it. We are attached to the tactile experience of reading a physical. I love physical books too.

There are books I use for research or devotional reading that I really appreciate having in print. I love underlining and making notes that I can easily access later. I know that e-readers offer functionality for both, but when it comes to research or leaving important notes to myself, I never ever return to my notes and highlights in an eBook. Print, for me personally is better in those cases. I know that others have a totally different workflow that makes better use of note taking in eBooks.

However, it doesn’t make sense to write off e-readers simply based on how they feel or based on one of the many ways they can be used. E-readers are fantastic for reading novels and tablets like an iPad Mini make it easy to read blog posts and magazine articles without interrupting my workflow on my computer.

In addition, the first thing I noticed about my Nook Simple Touch was that it actually made focusing on the content of the book really, really simple. Yes, it was not the same experience as a physical book, but that didn’t mean I couldn’t appreciate the content with an e-reader in my hand.

In fact, I felt more focused on the content than ever. Having a print book with two pages open at once started to feel distracting!

 

2. Simple e-Readers and Tablets Are VERY Different

The experience of reading on a device devoted primarily to simply reading is far more focused and relaxing since there’s no temptation to check your email or social media. Your options are limited to the books on your device, much like reading next to a shelf full of books.

I personally prefer the focused experience of reading a book on an e-ink screen on a light weight e-reading device. I read books and articles on my iPad Mini quite a bit, but it’s still bulky (compared to my Nook) and backlit. The latest version of the simple Nook e-reader has a glow light option that you can turn on in the evening if needed.

Tablets are much better for reading online articles, blog posts, and social media updates. You can modify the e-reading apps to have black backgrounds and white text, but you still have to contend with glare during the day and eye strain if you’re already on a computer all day.

 

3 E-Readers Make It Easy to Read a Ton of Books

It’s not just the advantage of storing tons of books in one place or having a huge, portable library that makes e-readers ideal. Those advantages are great too. However, there’s no escaping the convenience of quickly downloading tons of books on the cheap, whether you find them discounted or free from your library.

Besides picking up bundles of classic novels for a few bucks, many new books are discounted within a year of their release. I’ve picked up some great memoirs and nonfiction books because I was able to jump on a Kindle or Nook promotion. My latest score was a discounted version of Quiet by Susan Cain.

By the way, don’t feel bad about picking up eBooks on the cheap. Publishers do these price pulses in order to raise the visibility of a book before jacking up the price again. It’s a simple way to raise the visibility of a book after its initial launch.

Between discounted eBooks and copies I can download from my local library, I have access to tons of books. Some days it almost feels like I have too much power… And if I need to pick up a book immediately at its full eBook price, usually around $9.99, the purchasing process is dangerously simple.

When I saw that several publishing experts recommended the books Your First 1,000 Copies and Let’s Get Visible, I downloaded both before my book launch and dove into them immediately, picking up critical information that I immediately put into action.

 

4 The Joy of Customized Reading on E-Readers

One of the first eBooks I downloaded for my new Nook Simple Touch was the New Living Translation Bible. I just wanted to sit down and read scripture for long stretches of time, and I’ve found that translation useful for that, even if I’ll use other translations for study.

I have an NLT on my shelf next to my desk. It’s huge. It’s heavy. The spine is slowly falling apart. I’m sure I could have great fun rubbing the pages in my fingers and sniffing them, but isn’t the point of reading the words on the page?

The first thing I noticed when I sat down to read on my Nook Simple Touch was how simple and stripped down the experience is. It was just me and a single column of words on the page. I enlarged the font a bit to 16 points, which, by the way, was supposed to be the standard size for all on-screen fonts before some pretentious designer thought 12 point Helvetica on a screen was more aesthetically pleasing or whatever.

 

5 How I Use E-Readers and Tablets

The thing that used to kill me was finding time to read books, blogs and relevant articles for either my work or personal interest, especially when I have a newborn strapped to me in an Ergo Carrier. It’s just not practical to read books when you really need a one-handed reading experience and would rather the book be as light as possible. In addition, since we co-sleep with our newborn, I need a way to read in the dark.

Enter e-readers and tablets.

Most of my books are either purchased through Nook or Kindle. I still have plenty of print books, but when I need to just read, e-readers and tablets are the way to go.

I can now use a tool like Pocket to collect articles or blog posts all day and then follow up on them later on my iPad Mini. Feedly also helps me keep track of my favorite blogs and online magazines so that I know I can follow up on an interesting post later in the day.

I use the Kindle and Nook apps on my tablet when I need to read in the dark, and I store epic book collections on my Nook Simple Touch such as the complete works of PG Wodehouse, the complete works of Mark Twain, and several Bible translations.

I can basically access everything on my iPad, but when I just want to do some dedicated book reading, I tend to prefer the simple e-ink of my Nook. It’s really easy on the eyes, and there’s no temptation to visit Facebook or Twitter if I hit a slow part of a story or get distracted from my Bible reading.

Print books are still important, but e-readers and tablets are now essential parts of my work flow and leisure reading. I suspect that will be different for folks who aren’t avid readers or authors, but there are enough advantages to both kinds of e-readers that I think they’re worth checking out.

 

Do you read eBooks? Which devices do you use?

Not a fan of tablets and e-readers? What are your reasons?
(Note: You’re not allowed to say, “I just like hold a physical book.”)

An Invitation to Spy on My Bookshelves

I have the honor of contributing to the guest series “Other People’s Bookshelves” over at Anne Bogel’s blog, Modern Mrs. Darcy. Anne is a talented writer who manages to read a ton of books, which she shares in her epic Summer Reading Guides each year, and who wrote one of the must-read books on time management, productivity and creativity.

In this post I share the books that are most important to me, what we read for fun, and why I used to hide my theology books.

Check out my bookshelves at Anne’s blog.

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What to Buy Writers for Christmas

You could pick up your writer friend a gift card to Barnes and Noble or Amazon, but what if you could pick up your friend something that will almost certainly help him/her take a step forward toward publishing? What if you could give someone a useful tool for his/her writing career?

I’ve been thinking for the past few days about putting together a list of a few services and books that I use a lot as a writer, but then I thought it may be a bit more useful as a gift-giving guide. If you want to know what I use for invoices, advertising, etc., check out the end of this post. For now I give you my gift guide for writers…

 

Creating Fiction

How much would you pay to attend the top MFA writing workshops in America? Would you be interested in learning the best advice from each professor? This handy textbook is an incredible resource that provides just that. It’s an amazing book with tips on everything from characters to plot construction. If you want to publish fiction, you need the advice in this book. It blows my mind pretty consistently.

Hooked: Write Fiction That Grabs Readers at Page One and Never Lets Go

This may be one of the most entertaining books I’ve read on writing, aside from Bird by Bird. Filled with practical advice and great examples, this book makes starting a novel easy and accessible.

A Moleskine Lined Journal

My writing thrives on giving focused attention to my ideas, and an old-fashioned journal is the perfect tool for writing down ideas and developing them without the distractions of my computer. These journals are relatively affordable, sturdy, and fun to use. Almost everything I write begins as a few ideas in my Moleskine.

A Nook Touch

You may be suspicious that I’ve included a big ticket item in my list, or you may question why I’ve chosen the touch and not a Kindle Fire. I have my reasons. For starters, every writer needs an e-reader because publishers are constantly throwing free and cheap books at us. At the start of NanoWriMo, I was able to download 6 excellent books on writing for free. Marketing companies send me free e-books all of the time about managing my website and social media accounts. There’s so much out there, you need something that you can use to read it all.

I endorse the Nook Touch in particular because it’s first of all a dedicated e-reader. There’s no temptation to check e-mail. Just read. Focus on one thing. I love that about my Nook. In addition, I like Barnes and Noble because it at least supports physical book stores where real human beings can get together, look at books, and interact about ideas. I use Amazon for some online shopping, but I shudder at the thought of Amazon closing down every book store in the country.

When it comes to technical end of things, the Nook Touch has been the darling of online technology sites with its easy to use interface that makes the previous Kindle model look like the ugly duckling.

A Path to Publishing: What I Learned by Publishing a Nonfiction Book

This is perhaps my most self-serving item on the list, but hear me out. There are great books out there on how to write a proposal, how to market a book, and how to prepare for publishing. I’m not as experienced as all of those other writers, but I do have one advantage on them: I published a book fairly recently and I wrote this book right after my book’s first year. I have yet to find another book that pays so much attention to the process of becoming a nonfiction author from start to finish.

I wrote this book as a first step, an introduction to publishing that teaches readers how to plan for the future, how to write a proposal, how to write a draft of a book, how to work with an editor, and how to promote it. The reviews have all been positive, and the endorsements quite strong. I wouldn’t include this book here if I many readers hadn’t told me how the book helped them.

 

That does it for gift ideas. However, if you want to know what else I recommend for freelance writers, there are 3 services that I recommend using.

PayPal

I try to get checks from customers when possible, but PayPal makes it possible to receive payments from international clients and from customers who prefer the convenience of online billing. 

Thumbtack.com

I apply for very few jobs. Rather, I post my services on Thumbtack and set up an auto-post of my advertisement to Craig’s List every three days. I have found all of my clients through Thumbtack. Even better, Thumbtack notifies you when someone has posted a project in my field of expertise! It makes advertising so incredibly easy, I can’t imagine freelancing without it.

Freshbooks

I hate paperwork and spreadsheets, and Freshbooks makes all of that go away. By simply tracking my time throughout the week in Freshbooks, I can send out invoices to my clients and track whether they are late for payments or whether their accounts are up to date. Freshbooks allows you to manage 3 clients for free, which makes it practical for a small operation like mine, while allowing me room to grow in the future. Once again, I would hate freelancing if it wasn’t for Freshbooks.

How to Know if Your Book Idea Works

I have had publishing hopefuls ask me whether their book ideas were good, and I have to admit it’s a tough question to answer. There are many factors to consider when setting out to publish a book.

It’s most important in my experience to summarize the book succinctly, to have a solid title in mind, and to know exactly what you need to say in order to evaluate its merit. The details of each chapter may be fuzzy, but at least the main idea, controlling metaphors, and outline should be pretty clear before evaluating whether or not a book could work.

Some sample chapters will help you sort through how substantive your ideas are and if you can carry on for an entire book. Many good book ideas work better as magazine articles.

There are several factors you’ll need to consider when evaluating whether your book idea works. I’ll give you a hint right now, it won’t be enough for the idea to be good. I’ve seen my own good ideas and the good ideas of others fail the editor test.

They need to be better than good, and that’s what I’ll discuss in my next post.

Two Things that Sell a Lot of Books: #2 A Trusted Name with an Extensive Platform

Whether you have a popular web site, a radio show, an informative newsletter, or professional credentials, selling a book requires a personal connection. Selling a lot of books requires this level of personal trust on a large scale.

While reviews, social media, and web sites are all part of extending a marketing platform, these pieces should not be confused with making very personal connections with readers. Twitter and blogs are great, but they have their limits.

The Kind of Connections Authors Need

From what I can tell, my greatest success in selling books has come from personally talking with readers whether through personal conversations, events, e-mail, or interaction on web sites.

When I have a chance to share my passion for my book, I have a much greater chance of convincing readers to spend their hard-earned money on it. However, reaching potential readers with your personal message and creating enough trust for them to spend money on your book requires a fairly significant number of connections with readers.

I personally would not endorse every method used by authors out there to sell books and some will be more difficult for new authors to use effectively, especially radio and television, but there are lots of ideas out there about building a platform that will help you speak directly with readers and develop a level of trust for you and your book from a monthly newsletter with valuable information to a niche-focused public event.

How to Connect with Readers

Building a platform begins with the question, “How can I effectively connect with readers interested in my topic?” Keep in mind, this isn’t the same as advertising, and posting to a web site is probably the least personal way to do this, making it generally less effective.

I’m building my e-mail newsletter, working on some videos, leading workshops with local community and arts organizations, and connecting with various podcasts, but the possibilities are endless. I’ve been encouraged to hear from a respected author and friend that he finds my newsletter very valuable, and many of those who attend my workshops give me positive feedback. It’s good to know I’m doing a few things right, even if there’s always a lot more to do.

The hardest part about building these connections with readers is starting small. You may begin with twenty newsletter subscribers and workshops with only five attendees. However, if you continue to make connections, to help people with your material, and to build on those relationships, you should be able to connect with enough readers who will not only trust you enough to buy your book, they may also recommend it to others.

Previously in this Series:

Two Things That Sell a Lot of Books: #1

Also in this series: Five Great Things That Don’t Sell a Lot of Books

Great Endorsements

A Great Forward

Great Reviews

Social Media

A Web Site

Amazon Associates Now Integrates with Twitter

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Amazon has added a great new feature for Associates that integrates an associates ID with links to books on Twitter. Users can now post links to books right from the Amazon home page, much like posting from a news site.

This is a great way to utilize Twitter in both making book recommendations and providing an extra revenue stream. This will not be for everyone, but for those engaged in recommending books, products, or in sharing expertise in a particular field, I see some potential for growth.

After using Amazon Associates for a good two to three years on my blog and e-mail newsletter, I personally haven’t seen too much of a need for it in those mediums. For the most part this is tied to my blog’s topic (Christian theology), the number of readers I draw, and the income generated per sale doesn’t make it worth the effort to embed my associates ID with every book.

To make it worth my while I would need a wider audience and more marketable products to sell. An economic recovery wouldn’t hurt either. If I blogged on politics, technology, marketing, or online commerce, I could very well see the value in generating revenue from an associates account on book and other product purchases.

Nevertheless, from time to time I recommend books, mark some for my wish list, or save others in my del.icio.us bookmarks. Using this Twitter feature is yet another way to share content with friends. The potential to earn even a quarter adds a little incentive to do something I would consider doing without the promise of revenue.

The e-mail notice I received from Amazon said the following:

By clicking on the Share on Twitter button in the Site Stripe, a new window will open and an Amazon-generated message is pre populated in the ‘What are you doing?’ text area of your Twitter account (you may be asked to log in to your Twitter account). That message will include a shortened URL that already includes your Associates ID. You’ll have the option to edit this message or simply hit the ‘Update’ button to post to your Twitter account. When Twitter users click on the link in your post and make a qualifying sale, you’ll earn referral fees.

With the immediacy, large number of potential readers, and ability to share that Twitter provides, I think this is a great idea. Though I’ve given up on using Amazon Associates on my web site, I think I’ll give this Share on Twitter feature a shot.

The Books We Should Write

With book sales slumping and publishers cutting back on their acquisitions, authors need to take a long, hard look at the kinds of books they write. No one wants to sell ideas that no one will either acquire or few will purchase. In addition, I would hope that writers want to write works that are enduring and helpful far beyond a mere moment in time.

My college had a quote by John Ruskin engraved on the library walls that read, “All books are divisible into two classes, the books of the hour, and the books of all time.” Writing a book for all time is a tall order that many writers will not be able to fill, but this strikes me as a noble goal. Can we write books that are relevant and practical for today that still touch on themes and ideas that can still transcend the moment?

These books for all time are the ones we want to buy because we’ll reread them. They have a powerful message, a compelling story, or a way of dealing with life that connects with readers.

Many books are written to address the matters we face here and now, and that can be a very good thing at times. However, I wonder if our book ideas are too limited to the short term. Have we focused on the present and the needs of a current niche so completely that we’re losing our ability to write works with enduring content?

When I think of my own field of religion, I’m often reminded of Dietrich Bonheoffer’s classic The Cost of Discipleship. He unmistakably speaks to the issues of his day and the state of the church in Germany. However, his message can be easily carried into other contexts, offering substantive concepts that require reading and rereading.

Bonheoffer’s work challenges readers well over sixty years after his death, offering weighty material that has endured the test of time. When I think of a book worth purchasing, I want something that will last, that demands rereading, and offers a story or message that leaves readers in deep consideration.

As for the ideas grounded in the present or more limited in scope, we still have a place for them. These could thrive in ebooks, blogs, magazines, and newspapers. While some of them may sell as traditionally published books, will the tremendous time and costs of the publishing process justify the ends when they could have a much wider distribution and hourly compensation as magazine or web stories?

Many nonfiction books could be broken into profitable articles that could very well gain a wider readership and build a platform, putting an author in to a better marketing position when writing a more enduring book.

There will always be books of the moment. However, before authors invest significant time into publishing a book that may bring in meager profits and attract a relatively small audience, they should consider options beyond publishing a book and books that may bring more long-term value.

When Does Self-Promotion on Social Media Go Too Far?

As a writer I’ve been regularly confronting the concept of self-promotion for a solid three years now. With online applications such as Twitter and Facebook many worry that we are not only falling into a nasty pattern of narcissism, but some businesses and sole-proprietor businesses will abuse their networks of family, friends, and acquaintances to make a buck.

I’d like to tackle this from the perspective of a writer. Writers face the tricky matter of essentially “selling” ourselves and our talents of weaving words together. Readers and publishers look for someone with name recognition, and so writers must think of ways they can “make a name for themselves.” If you’re familiar with the biblical story of the tower of Babel, you may recall that the attempt of humanity to do such a thing resulted in their language being garbled by God.

Such a prospect is not necessarily encouraging for writers—especially a Christian writer.

The only way I can see handling this delicate matter of self-promotion in a way that avoids the exploitation of friends, family, and acquaintances is the following:

  1. Only promote what may help them. If I’m hoping they’ll buy my book and I send updates and links their way to that end, then the book I write should be of value to them.
  2. Don’t bombard anyone. I try to only send a manageable number of updates about myself and my work via twitter and facebook. I don’t want anyone to become tired of my endless stream of self-promotion. Everyone has a different limit here, so be cautious.
  3. It’s not all business. Part of keeping in touch with friends and family is adding some color from your own life, sharing pictures and stories that may be funny, interesting, or unusual. Don’t stick to mere work concerns in social media.

I can’t say for sure if I’ve done this perfectly, but as a writer who has to walk this fine line, I find that friends and family generally want to know what I’m up to. Therefore, it’s my job to keep them in the loop without wearing them out with my updates.