Your Writing Spot

I have read in a number of books that it’s very important to create a space for writing that is wholly your own and free from distractions. I confess that I didn’t quite buy it at first.

I am used to writing in a variety of cafes, at the dinner table, at the small desk in our living room, on the couch, in my favorite chair, and sometimes at my desk that really is more of a dumping ground than anything. The world is my writing space.

Well, not quite.

As deadlines loomed for my book on theology, I found myself craving more seclusion, more of a routine, more of a comfortable place to write. I had already painted an office with soothing colors and put down a nice floor, but I rarely used it. Why didn’t this space work for writing?

The more I thought about, the more I realized that it just didn’t suite me as a dumping ground for papers, books, and anything else that didn’t have a home. And so, I began to experiment with a few changes and it turned out that I love writing in my office now.

Here is what works for me:

  • A clean desk with everything in neat piles or put away. I like to see lots of desk surface.
  • My files are arranged neatly.
  • My writing schedule is posted on the bulletin board next to my desk.
  • The lighting is bright enough to work, but not too bright.
  • Scented candles to create a little more warmth.
  • My desk chair at a lower level somehow helps me focus when my feet are firmly planted on the group (yes, I’m short!)
  • The floor is cleanly swept.
  • The books on my shelves are neatly put away and dare I say…flush with the edge of the shelves.
  • Traditional Celtic music playing softly. I love Radio Celt.

I’m sure I could list more, but these are some of the most recent changes I have made to my writing. Believe it or not, they really help. I actually look forward to writing a lot more. In fact, even when I don’t have an idea for writing, I find myself wishing that I did so I can go into my office.

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Deleting Good Writing

One of the lessons every writer must learn goes something like this: just because your writing is good doesn’t mean it works. This could be filed under the "not taking ourselves too seriously" section. In the process of recounting a story I can provide juicy details, detailed descriptions, and events following one another in quick succession, but if any part of the story takes the reader away from the larger purpose for the story, the final destination, sometimes the prettiest prose has to be scrapped.

This is distressing. Us writers believe we can churn out quality material and spin a good yarn. We want to convince ourselves that all of the details in our stories are precious, important bricks in the edifice that is our writing.

But a story is taking the reader somewhere, making a point, and generally trying to avoid side trails. There are interesting parts of every story that sometimes don’t need to be included. These details just confuse the writer and take away from the main point of the story.

For my book Coffeehouse Theology I shared a story about our most recent move. We didn’t have enough help, I prayed some very specific prayers, and those prayers were answered quite directly. In fact, there you have the story in a nut shell. Of course there was a lot of background information concerning the various characters in the story that I initially included, information that made their help with our move all the more significant.

Though the story appeared more complete in my eyes, I simply interrupted the flow of the narrative and sent the reader on a side trail. My editor slashed the story down, chopping off the fat and leaving the bare bones. Curiously, the key point of the story remained in place. Only now the distractions were removed and the reader can now easily find my point without having to sift through the extra details that, while beautifully written if I may say so, interfered with the story.

Sometimes we can make our writing better by deleting some of the good parts.

Category Confusion

Are you noticing that I have a few categories that don’t quite belong on the site of a freelance writer? Well the reason is I began this site as a kind of catch-all blog for my areas of interest: writing, photography, and nonprofit organizations, especially volunteers. Since I’ve gotten more serious about writing, I’ve had to refocus this site on my writing and drop the other topics. I’ll leave those categories for now just in case someone is interested…

Southshire Pepperpot: New, Improved, and Ready to Ship

After hitting some snags with our previous publisher, the Southshire Pepper-Pot has been released again with Lions Mark Press. It has some awesome features, such as a real ISBN number now!!!

The Pepper-Pot is a collection of fantastic short stories and recipes by a group of Vermont writers. I was lucky enough to join them and pitch my story into the mix called “A Bittersweet Land.”

And if you aren’t convinced by one of the contributors saying you should check it out, have a gander at a few reviws from Amazon.com:

“Southshire Pepper-Pot is a tasty book, filled with delicious stories to be munched on slowly with a glass of wine. This is just the kind of book I love to discover and savor with recipes that top off a full-course meal of literary victuals”

Bill Morgan, Beat Chronicler and author of I Celebrate Myself: The Somewhat Private Life of Alllen Ginsberg and Howl on Trial: The Battle for Free Expression –Bill Morgan, author

“Southshire Roundtable has given us a tasty literary treat, a rich menu of deliciously seasoned prose and poetry that will satisfy the appetite of all who enjoy a good read. The short stories are delicious tales inhabited by people we immediately empathize with as well as by unique characters who appeal to our fascination with the strange and mysterious. The essays too are remarkably diverse nostalgic pieces about local places served side by side with insightful accounts of such faraway locations as the Middle East and Key West. The talented writers represented here are proof positive that literature of the first order is alive and well in our area.”

Lea Newman, Bennington, Vermont; Professor Emerita, MCLA and author of Robert Frost: the People, Places and Stories behind his New England Poetry and Growing Up Italian in Chicago –Lea Newman, Professor Emerita, MCLA

Living in Vermont, From the October Newsletter

If you already receive my newsletter, then you’ve had a chance to read the list of changes in my life since moving to Vermont. For those who have not yet seen it, I’m republishing it below along with a few additions at the end. If you enjoy what you read, you can sign up for my online newsletter by e-mailing me: edcyzewski (at) gmail (dot) com.

Two Years in Vermont
I grew up in the suburbs of Philadelphia, but marriage to a Vermont girl has pulled me out of my native habitat and into the quiet, but cheerful world of New England. After living in Vermont for two years, I have noticed a number of changes in my life. Here are just a few of them:

– I am now the most aggressive driver on the road.
– I am starting to wonder what it would be like to drive a snow mobile.
– I am growing more and more fond of Democrats and less so of Republicans.
– Killing deer seems like a great idea for a good time.
– I am bored with the way I predictably pronounce my “a’s” correctly.
– Poisoning mice is part of a regular evening at home.
– My laundry room always smells of decaying mice.
– I actually paid full price for a pair of Birkenstocks.
– Sometimes I wear socks with my Birkenstocks.
– My red car always looks gray because we live on a dirt road.
– I never wash my car from April through December because we live on a dirt road.
– I learned all kinds of stuff about raising and killing chickens from local farmers.
– Going to church can be theologically horrifying.
– I lust after wood stoves.
– I have an inexplicable urge to tap every maple tree I see.
– I am nurturing a grudge toward big box stores even if I still shop at them.
– The phrase “night life” means wild animals prowling in the evening.

And the bonus material:
– “Pitchin’ it out back” is a viable way of removing garbage.
– I know what “clogging” is.
– I check for energy efficient bulbs in public places.
– “Going Out” will at best involve a pot luck dinner.

Telling Your Own Story

The Story Core Project and This American Life, both projects that focus on everyday people, confirm what we should have known all along: ordinary people are fascinating. Celebrity may amuse or interest on occasion, but who would take People Magazine over the story of a wealthy business man who attempts to negotiate a peace deal in Iraq or the way a family copes when one member is diagnosed with cancer?

Storytelling is part of who we are as people. Who doesn’t have a reserve of lively tales to toss into the pot when a good conversation is brewing? I readily pull out my two tales involving unwanted bats in our house, or the time myself and a group of friends followed ambulances to Jerusalem’s temple mount and witnessed the beginning of the Intifada in the fall of 2000.

Fiction certainly has an untouchable place in the realm of the arts and humanities. A skillfully woven tale is a masterpiece to treasure. Nevertheless, our fascination with memoirs and personal essays of late reveal more than our society’s vanity. Through these genres we connect with strangers, enter their worlds, and share their experiences. It’s as if we are living in someone else’s skin.

There is no shortage of these interesting stories, only opportunities to share them. Even if a story is committed to paper and never published, the writer provides an incredibly personal gift for future generations to learn from and share.

Regardless of publishing prospects, every person who has lived has a duty to pass on history, stories, or dare I say memoirs to the future generations. If the story is particularly good and the opportunity presents itself, it may even be worth submitting to a magazine or anthology. Writing down our own stories may turn out to be one of our most important accomplishments while on earth.